Ellison

The Ellison armchair is defined by a single continuous line that shapes both the seat and the backrest. At the junction between these two elements, the upholstery adapts to the change in form, revealing a subtle lateral tension, a detail that lightens the volume and introduces a sense of immediate familiarity. It is an apparently irregular gesture that evokes the memory of traditional upholstery, making the form feel more approachable and lived-in, while preserving the clarity and contemporary character of the design. The four-spoke swivel metal base further enhances the armchair’s sense of lightness, creating a balanced relationship between the structure and the upholstered volume.

Amour

Conceived as a sculptural seat with generous proportions, the Amour armchair, designed by Fabrice Berrux for Bonaldo, embodies a vision in which design takes center stage: form, material, and function become true statements of intent. Both enveloping and open, its design evokes a simple, universal gesture: welcome. Defined by continuous, soft, flowing lines, Amour expresses the idea of comfort through the language of design, transforming it into a visual and sensory experience. The backrest opens like a protective shell, while the generously proportioned, slightly elongated seat invites natural, effortless relaxation. The absence of sharp angles reflects a deliberate design choice: every curve is carefully calibrated to achieve a harmonious balance between formal elegance and ergonomic well-being. The compact cylindrical swivel base creates an architectural contrast with the soft, enveloping shell. This element grounds the armchair in the space, reinforcing its presence while preserving a sense of visual lightness. The volumes appear suspended, striking a refined balance between structure and fluid form. Poised between a piece of furniture and a contemporary sculpture, the Amour armchair makes a striking visual statement. It does more than simply furnish a space: it interprets and defines it, engaging in an ongoing dialogue with its surroundings. Amour embodies Bonaldo’s vision of design as a cultural value and sensory experience. To quote Fabrice Berrux: “I imagined it as a silent, complicit smile. Empty, it promises. Filled, it keeps its word. Amour, se vit.”

Isabey

Isabey desk is a furnishing piece defined by the tubular structure of its base, which recalls paired columns, a distinctive architectural element of classical tradition. The interplay between the solid volumes of the top and the lighter presence of the base creates a balance between mass and lightness, stability and suspension. This architectural reference becomes a statement of intent, expressing a desire to create a shared and authoritative language capable of withstanding the passage of time. The rectangular top, with softened corners, is available in wood, Canaletto walnut, brown oak, charcoal oak and grey oak, combined with a range of finishes for the metal base.

Blocco

The Blocco collection, designed by Alain Gilles, is inspired by the idea of a large block of wood lifted and resting on two supports, almost like an archaeological artefact or a precious object to be highlighted and displayed. The design stems from the contrast between two types of forms: on one side, a rigorous and minimal element defined by straight lines; on the other, softer yet substantial supports with rounded shapes. The legs, with their architectural presence, resemble pillars rather than simple supports. Blocco desk appears as a strongly graphic and sculptural element, while remaining highly functional thanks to a hidden drawer that allows small items such as pens, notebooks, chargers, tablets or laptops to be stored discreetly. The drawer introduces a graphic detail that lightens the volume while preserving its monolithic appearance. Blocco Desk, made of Canaletto walnut, is a versatile desk suitable for the whole family, whether for writing an email, studying or working from home.

Isabey

For the sleeping area, Gabriele and Oscar Buratti present the Isabey bedside table. The design is available in two versions, with one or two drawers, both featuring a rectangular top with rounded corners and the use of curved wood in Canaletto walnut, brown oak and charcoal oak finishes, tones that help create a warm and intimate atmosphere, particularly suited to the bedroom. The two versions are distinguished by the different relationship between volumes and the prominence of the base. In the two-drawer version, the volume is solid and offers greater storage capacity. In the one-drawer version, the metal base becomes more prominent, composed of two closely positioned tubular elements that recall the paired column of classical architecture.