Noor

Delicate, clearly defined lines for the Noor chair, featuring a steel frame which is both light and solid. The seat comes close to the structure of the backrest without touching it, giving the overall impression of “floating”. The design of the backrest, slightly curved at the sides, gives it a welcoming and comfortable appeal. The backrest and seat are padded and leather covered, eco-leather or fabric.

Neuilly

The chair Neuilly, designed by Fabrice Berrux, comes to life thanks to the combination of different and clearly outlined elements such as the thin metal tubular structure on the one side and the upholstered elements on the other. The padded seat plays with the curvilinear shape of the welcoming backrest/armrest, which embraces the body with a single ergonomic movement thereby guaranteeing a natural posture for the back and offering unencumbered support for the arms. The resulting product is a chair characterised by a versatile style and a lightweight image. The catalogue also features the matching Neuilly too stool.

Colibrì

Perfect for the dining area, the Colibrì chair renews the balance between the parts that distinguish it. The thin metal structure of the base highlights the welcoming volume of the seat/backrest: a large “shell” with raised edges and generous proportions that offers “comfort without gravity”, giving body to the essential image from which the design by Fabrice Berrux emerges. The working of the padded surface highlights the detail of the parallel-stitched seams which run along the entire length of the upholstery.

Agea

The Agea chair is characterised by the striking legs rooted to the ground, as if to leave their mark in the space where they are placed. The legs support the padded body like two counterforts, giving the seat stability, charm, and an essential nature. The body and legs are covered in a single leather, ecoleather or fabric material, which reinforces the image of the Agea chair.

Torii ST

The tii table designed by Marconato & Zappa clearly demonstrates its exotic inspiration: the slightly inclined metal elements that make up the base recall the entrances to Japanese Shinto shrines from which the table takes its name. The Torii ST (Swivel Top) version with rotating top catches the eye thanks to the large circular top surface which features an interesting interplay between materials and which combines the outermost wooden frame with a rotating central ceramic section. The result is a contrast of materials and finishes for a table with an significant theatrical presence.